Consulate of Screwthatistan · Austin MissionWindow open after eleven
Nope Rope from Screwthatistan

Funk-Punk · Austin, Texas, as entered · 1984–1993

Nope Ropefrom Screwthatistan

The national sound of Screwthatistan.

Funk-Punk · Funk Rock · Party-Punk
1984–1993 · Consulate Records

Consulate soilGive me the funk or give me death.No chillNext question

Page 2 · Holder data

One passport. Four holders. No questions answered.

The archive has examined the document and entered it as presented. The holder's country of origin is Screwthatistan. The holder's place of formation is Austin, Texas. The archive records both and reconciles neither.

Republic of ScrewthatistanPassport
The four members of the band crammed into a shopping-mall photo booth, one laughing, one deadpan, one stern, a tube-socked foot in the frame
Type
P / Band
Code
SCR
Name of holder
Nope Rope from Screwthatistan
Nationality
Screwthatistani
Place of formation
Austin, Texas
Date of issue
1984
Date of expiry
1993
Issuing authority
Consulate Records
Holders
4
Classification
Funk-Punk
Sub-classification
Funk Rock · Party-Punk
As entered by the holder
Screwthatistani Funk-Punk
Holder's signature
Next question

P<SCRNOPE<ROPE<FROM<SCREWTHATISTAN<<<<<<<<<<NR1984SCR840000X<<<NEXT<QUESTION<<<930000<<<

Observations

Nope Rope from Screwthatistan came together in Austin, Texas, in 1984, in a rehearsal space that was legally a storage unit. Marcus "Mook" Delaine had a mouth and a mission; Priya "Thumbs" Nair had a bass and both thumbs already ruined; Lorraine "Chops" Vukovich answered a flyer that read only "FUNK. LOUD. NO CHILL."; and Danny "Sock" Merkle was found already drumming, on someone else's kit, at a party no one remembered inviting him to. From the first rehearsal the band insisted it was not from Austin but from Screwthatistan. Asked where that was, Mook would say "next question." No one ever got a straight answer, and the archive, dutifully, records the claim without comment.

Four young musicians rehearsing inside a cramped roll-up storage unit at night, Austin, 1984
The storage unit, Austin, 1984. Legally a storage unit. Diplomatically, the first embassy.

Statement at the border

Where's Screwthatistan? Next question.
Marcus "Mook" Delaine, every interview, 1984 through 1993

Accredited personnel

The delegation.

Four credentials were issued in 1984. Four were surrendered in 1993. No other personnel were ever accredited. The engine of the mission is listed second, by custom, not by rank.

  1. DiplomaticNo. SCR-1984-01

    Marcus Delaine

    “Mook”

    Post
    Lead vocals
    Accredited
    1984–1993

    On the record

    “Where's Screwthatistan? Next question.”

    “If you can still hear after, we didn't do it right.”

    Present posting

    Still shouting. Runs a food truck; the menu is loud.

  2. DiplomaticNo. SCR-1984-02

    Priya Nair

    “Thumbs”

    Post
    Bass
    Accredited
    1984–1993

    On the record

    “The bass isn't the bottom. The bass is the point.”

    Present posting

    Session bassist now. Still the loudest person in any room she's the quietest in.

  3. DiplomaticNo. SCR-1984-03

    Lorraine Vukovich

    “Chops”

    Post
    Lead guitar
    Accredited
    1984–1993

    On the record

    “Funk is a felony if you do it right.”

    Present posting

    Teaches funk guitar and forbids the word "chill."

  4. DiplomaticNo. SCR-1984-04

    Danny Merkle

    “Sock”

    Post
    Drums
    Accredited
    1984–1993

    On the record

    “I don't know why they call me Sock.”

    Present posting

    Still owns socks. Still, apparently, only socks.

A tired full-size tour van on the shoulder of a desert interstate with the hood up, July 1990
Interstate 15 outside Barstow, July 1990. For six hours, the entire nation.

Pages 6 through 11 · Visas and entries

Three entries. Twenty-two songs. Every one admitted.

Each record is stamped into the passport on the date of entry. Running times are as pressed. Open a stamp for the full declaration, the liner notes and every lyric on file.

Admitted1986Basement DiplomacyConsulate Records · Entry 1

Entry 1 · 1986 · 7 songs

Basement Diplomacy

Three days, one storage unit, the cost of the tape. Side one is a party; side two is the same party, angrier. The liner notes list the band's home as "Screwthatistan" and their mailing address as "you weren't invited."

  1. 01Give Me the Funk or Give Me Death2:45
  2. 02Sock Puppet Regime2:20
  3. 03No Visa2:05
  4. 04The Ambassador Is Dancing3:10
  5. 05Landlocked2:30
  6. 06Nope1:35
  7. 07Basement Diplomacy3:25
Open the declaration →
Admitted1988Sweat EquityConsulate Records · Entry 2

Entry 2 · 1988 · 7 songs

Sweat Equity

The road record. The band declared every venue "consulate soil." Most venues disagreed. A local critic called it "the finest album ever recorded by people who owe this many towels."

  1. 01Slap the Bank2:55
  2. 02Down Payment in Sweat2:40
  3. 03Consulate Soil3:05
  4. 04Overthrow the Neighbors2:25
  5. 05Wet Carpet2:10
  6. 06Riot in a Small Room3:20
  7. 07Thumbs2:30
Open the declaration →
Admitted1991Diplomatic ImmunityConsulate Records · Entry 3

Entry 3 · 1991 · 8 songs

Diplomatic Immunity

Their last and tightest — a funk-punk band claiming sovereign immunity from a nation that isn't, playing faster than advisable. The title track is ninety seconds and legally actionable in spirit only.

  1. 01Extradite This2:35
  2. 02The Consulate Is a Van3:00
  3. 03Parliament of One2:45
  4. 04Curfew (Ignored)2:20
  5. 05Last Legal Move2:50
  6. 06National Anthem (Unofficial)1:50
  7. 07We Were Never Here3:30
  8. 08Diplomatic Immunity1:30
Open the declaration →

Total time on file: 22 songs · 57 min 15 sec

A crowded low-ceilinged club room in Denton, Texas, with a water-stained ceiling above the band
Denton, 1988. Rated for sixty. The ceiling is the one in the songs.

Official history

Cables from the mission.

Four cables, transmitted in order and filed without amendment. The archive did not edit the sender.

Cable 001 · Priority: Loud

From: Consulate, Austin

To: Whom it may concern

Subj: Founded in a Storage Unit

They agreed on one thing: loud. Mook had the mouth, Thumbs had the bass the whole band would be built on, Chops brought the blade, and Sock was simply, already, drumming. Their first show was a house party in Hyde Park that the police ended twice — once for noise, and once, twenty minutes later, when the band restarted.

From the beginning they claimed to be from Screwthatistan. Where that was, what language they spoke there, how they got the visas — no answer was ever the same, and none was ever real. Mook's reply to every version of the question was identical: "Next question." The archive has elected to take the claim at face value, because arguing with it seemed to be exactly what they wanted.

— End of cable —

Cable 002 · Priority: Loud

From: Consulate, Austin

To: Whom it may concern

Subj: Basement Diplomacy

The debut, Basement Diplomacy (1986, Consulate Records), was recorded in three days for the cost of the tape. It is built, from the floor up, on Thumbs' bass — a slapping, popping, sprinting engine that the other three hang onto for dear life. Mook talk-shouts the verses like a man reading demands through a bullhorn; Chops stabs; Sock refuses to slow down. The songs are short, funky, aggressive, and ridiculous, and they were an immediate hit in exactly one city.

Live, the band became a phenomenon of local legend — sweat, socks, and a fake national anthem the crowd learned to shout back. The set never broke character. If you asked between songs where they were from, Mook told you, and you were no wiser.

— End of cable —

Cable 003 · Priority: Loud

From: Consulate, Austin

To: Whom it may concern

Subj: The Sweat Years

Sweat Equity (1988) took the chaos on the road — the Southwest, the coasts, a legendary run of basement and club shows where the floor was frequently a hazard. The band toured relentlessly and profitably, if you did not count what they spent on towels. Thumbs anchored every night; Sock never once flagged; Chops kept the whole thing from collapsing into mush; and Mook kept insisting, in city after city, that they were a long way from home.

A funk-punk group claiming sovereign immunity from a country that isn't, playing faster than was strictly wise — they had become exactly the thing the name promised. It is their tightest and their most unhinged, at the same time.

— End of cable —

Cable 004 · Priority: Loud

From: Consulate, Austin

To: Whom it may concern

Subj: The Dissolution

Bands that burn this hot rarely last, and Nope Rope from Screwthatistan burned about as hot as the format allows. By 1993, the touring had done what touring does; Thumbs took a session gig that paid in actual money, and the engine leaving was the end of it. There was no farewell tour. There was a final show in Austin, sweaty and complete, after which everyone went home.

Asked, years later, whether the band would ever reunite, Mook considered it seriously and said that Screwthatistan had "closed its borders." No one asked a follow-up. The archive notes only that four people made an absurd amount of noise on purpose, meant every second of it, and never once broke.

— End of cable —

Consular notice board

Notices to travelers.

Incidents of record, posted where the public can read them. Each notice was stapled up on the date shown. Several were stapled up again.

Notice 84-1

1984

Ended Twice in One Night

Location: Hyde Park, Austin, Texas

Police ended their first show twice in one night, because they restarted after the first time.

The band's first show was a house party that police shut down for noise. Twenty minutes after they left, the band restarted. Police returned and shut it down again. Delaine has described the second visit as "the first time anyone took us seriously."

Approved for posting

Notice 88-2

1988

The Ceiling in Denton

Location: Denton, Texas

Nair pointed at a water stain shaped like a country. It appears in two songs and is never explained.

A room rated for sixty held a hundred and forty. The fire marshal arrived at eleven and stayed until one, which the band took as attendance. During the set Nair looked up and pointed at a water stain on the ceiling shaped roughly like a landmass. Nobody said anything. It is referenced in two songs across two albums and has never been explained.

Approved for posting

Notice 90-3

1990

Six Hours Outside Barstow

Location: Barstow, California

The van died on the 15 in July. For six hours the entire country was on the shoulder with the hood up.

The van died on the shoulder of Interstate 15 in July and took six hours to fix. Merkle slept underneath it. Vukovich has said it was the longest the four of them were ever stationary together, and that nobody spoke for most of it.

Approved for posting

Notice 93-4

1993

Next Question

Location: Austin, Texas

Asked about a reunion, Delaine said the borders were closed.

Asked at the final show whether the band would ever reform, Delaine considered the question seriously for several seconds and said that Screwthatistan had closed its borders. No follow-up was asked. It is the last recorded statement by any member about the band's origin.

Approved for posting

Give me the funk or give me death.Consulate soil.You weren't invited. Come anyway.
A packed house party in a small Austin living room with a band playing against the wall, 1984
Hyde Park, Austin, 1984. The first show. Ended twice.

National anthem (unofficial)

Stand up.

The anthem has no official text. This transcription is taken from the 1991 recording, which keeps the Chicago version.

Played last at every show from 1987. Audiences learned the chant; the band never printed it.

From Diplomatic Immunity (1991), track 6 · 1:50

A sweating club crowd with fists raised, shouting along at the end of a show
The anthem, as performed. The crowd supplies the words. There are no words.

National Anthem (Unofficial)

There are no words to thisThere have never been words to thisEverybody knows itNobody can sing it

WHOA-OH-OH-OHWHOA-OH-OH-OHWHOA-OH-OH-OHThat is it. That is the anthem.

Crowd in Austin got it firstCrowd in Denver got it wrongCrowd in Chicago made it fasterAnd we kept the Chicago version

WHOA-OH-OH-OHStand up.WHOA-OH-OH-OH

Please rise. Remain standing until the van has left.

Arrival cards

Visitor reports.

Every visitor to consulate soil was asked to complete an arrival card. Five were returned. They are reproduced as written. Scores are on a scale of five stamps.

Arrival cardNo. 0001

Purpose of visit Funk

Statement

I have seen a lot of shows. I have never left one this wet, this deaf, or this unsure what country I had just visited. Five stars. The bass player is the best musician in Texas and she barely moved.

Filed by Austin Chronicle, 1988
Arrival cardNo. 0002

Purpose of visit Funk

Statement

I asked the merch guy where Screwthatistan was and he said "you're standing in it." I was in a bar in Denver. The music was incredible. I remain concerned.

Filed by Westword (Denver), 1989
Arrival cardNo. 0003

Purpose of visit Funk

Statement

Everyone talks about the shouting guy. Fine. But put on "Thumbs" and try to tell me the whole band isn't just following one woman and a bass. I'll wait.

Filed by Bass Player fanzine, 1990
Arrival cardNo. 0004

Purpose of visit Funk

Statement

Too fast. Too loud. Too much. The floor was, and I want to be precise, a liquid. I gave up and had the time of my life. Two stars because I lost a shoe.

Filed by The Daily Texan, 1986
Arrival cardNo. 0005

Purpose of visit Funk

Statement

Caught the Diplomatic Immunity tour. A man in socks played drums faster than I have ever seen a human do anything. When I asked for an encore they said it would require an act of parliament. There is no parliament. They played four more songs.

Filed by Village Voice, 1991
Arrival cardNo. 0006

This card has not been returned. The consulate assumes you are still on the floor.

File yours at the visa window →

Visa window

You weren't invited. Apply anyway.

The consulate no longer issues visas directly. Applications are processed by the Sideband Label office, which handles the mailing list, the recordings and the merchandise. Shirts are issued in the national colors. Towels are not.

Applications are never refused. Applications are never answered, either. Bring a towel.

A funk-punk band mid-song on a small Austin club stage in 1993, the bassist in the center
Austin, 1993. The final show. Sweaty and complete.
A folding merch table by a club door with spiral-flag stickers, cassettes and a rubber stamp, the bassist stamping a fan's wrist
Port of entry, 1989. Visas issued at the door. Wrist stamp valid for one night.

Republic of ScrewthatistanApplication for entry

Form
SCR-1 · Entry visa
Purpose of visit
Funk
Duration of stay
Ninety minutes, or until the lights come up
Have you been to Screwthatistan before?
Next question
Goods to declare
Hearing, partial

Give me the funk or give me death. · Select one

  • Funk
  • Death
  • A third thing

The third box is printed for completeness. It is not on the menu.